2/12/2023 0 Comments How to compress sub bassThere is no point in using processors to enhance or cut in this area if you can't here what you. A combination of one sub bass and 2-3 additional bass layers is what I usually go for to make up a good bass. If you're planning on making bass-heavy music with frequencies that register anywhere below about 50 - 60hz, the first thing you should do is check that your monitors are actually able to reproduce sounds in this range. But a sub bass is usually not enough to get that solid sound that has the punch and lushness to it. Sine waves are powerful, persistent and sounds great. More importantly, check your mix lowend on different speakers and headphones, compare it against professional mixes in the same genra, and if it sounds good it most surely is. Speaking about sub bass, you want to go with a sine wave tone. Simple subtractiv eq and/or fast sidechain (fastest attack, 20ms to 100ms release depending on your kick) I would try to adress the relationship between the bass and the kick, first by palying with their respective volumes, then with If so, your bass & your kick are "statics", and the lack of dynamic range of your lowend (as shown by the Low crest factor of Izotope Tone Control) is not necessarily a big issue, it can be the case with sampe-based bass music.īut it can also be the sign that the fundamental of your bass is a little too loud in your mix, or adds up with the fundamental of your kick. 1-As stated by Kwissbeats : are you using Tonal Control while listening to the whole mix or only with the bass? (Tonal Control has no use for individual elements, it's an indicator of the relationship of all the elements of your mix)
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